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Category: Classic Rock

Classic Rock

Crystal Ball - Utopia (5) - Deface The Music (CD, Album)


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8 thoughts on “ Crystal Ball - Utopia (5) - Deface The Music (CD, Album)

  1. View credits, reviews, tracks and shop for the CD release of Deface The Music on Discogs. Label: Essential - ESM CD ,Bearsville - ESM CD • Format: CD Album, Reissue, Remastered • Country: UK • Genre: Rock, Pop •4/5(2).
  2. Crystal Ball Lyrics: Well, I've heard it / I've heard it all / I've heard it all before / I don't need no gypsy / I don't need no crystal ball / Since you started messin' round on me darlin' / Now the.
  3. Deface the Music is a concept album by the band Utopia, which pays homage to The Beatles and creates songs that sounded very similar to their tunes throughout the various stages of their career. It delves into Beatlemania without sounding like a direct copy, as the music perfectly fits in the vibe of the '80s.
  4. Deface the Music, an Album by Utopia. Released 24 September on Bearsville (catalog no. BRK ; Vinyl LP). Genres: Power Pop, Pop Rock, Beat Music, Musical Parody.
  5. Archive Vol.2 TODD RUNDGREN & UTOPIA/Utopia official bootleg LIVE in Tokyo '79 CRCL/3 Archive Vol.6 Deface the Music Tour CRCL/12 yen Disc1. /Back on the Street/Crystal Ball/All Smiles. DISC2.
  6. Deface the Music, an Album by Utopia. Released in on Ariola (catalog no. ; Vinyl LP). Genres: Pop Rock, Power Pop, Beat Music. Rated # in the best albums of Missing: Crystal Ball.
  7. View credits, reviews, tracks and shop for the CD release of Deface The Music on Discogs. Label: Bearsville - VDP • Series: Todd Rundgren 70's CD Collection - 15 • Format: CD Album, Reissue, Remastered • Country: Japan • Genre: Rock • Style: Pop Rock, Art Rock.
  8. In the case of Deface the Music, Rundgren and crew take on the early Beatles sound with a vengeance, or at least as much of a vengeance as is possible with this kind of pre-rock sound. The songs would have been very popular back in , but as usual Utopia is reacting to a musical trend after it has already run its course, instead of being on the progressive forefront of a new sound/5(11).

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